Check it out below–
I spent some time cycling over the weekend. I wanted to peep the new murals that went up in BK in connection with the Wooster Collective 10 Exhibit. They were all good. This Shepard Fairey piece was my favorite, though. And unfortunately, I snapped my favorite shot of it (with Trixie below) with my phone, and not a real camera. If you want to check out the work in person, Wooster posted a guide to the locations of all of the murals, here. Also, check out this.
One of my favorite street art blogs, Wooster Collective, celebrated its 10th year this week with a group exhibit at Jonathan Levine Gallery. The exhibit is featuring work from some of my favorite contemporary artists, some of which were on hand at the event held this week at Levine’s Pop up gallery on 22nd Street in Chelsea (525 west 22nd St.). It opens to the public tonight, and runs through August 24th. It is definitely worth checking out.
Here are a few more looks.
I wish that I could be in LA for this one. Some of my favorite artists will be showing at the upcoming summer group show at the Cone Gallery. From the OBEY blog:
Inspired by recent travels to Paris, Katherine Cone Gallery is pleased to present
a summer group exhibition, titled Rouge. The exhibition consists of original
works of art that will include the color red by renowned artists Edith Baumann,
Sean Cheetham, John Eden, EL MAC, Shepard Fairey, John Van
Hamersveld, Brad Howe, Eric Pedersen, DeWain Valentine, and Suzan
KATHERINE CONE GALLERY Presents
A Summer Group Exhibition
July 20 – August 24, 2013
Opening Reception: Saturday, July 20, 2013 /6-9 pm
I really like this new Shepard Fairey print entitled “Universal Personhood.” It went on sale today in a series of 450. I would assume that by the time anyone reads this, it will be sold out.
Shepard Fairey wrote an interesting note on his blog this week about skateboarding. He asserted that skateboarding had taught him resilience. I had never thought about things in those terms. But thinking back about how many times I wrecked myself trying to stomp a new trick, it seems very logical that the determination, perseverance and resilience from that era in life had something to do with shaping the present version of me. Here is what Fairey had to say about the photo above:
My friend Jason Filipow found this shot of me from the summer of ’88 on the internet. We don’t know who took the photo, but it is from a spot called the Junkyard, an abandoned concrete slab on Sullivan’s Island South Carolina. The Junkyard was a really fun spot where we built a bunch of ramps as we were able to buy or “acquire” wood. I remember clearly that I was riding an S.M.A Rocco Division Jesse Martinez with OJ Team Rider wheels and independent trucks. I learned to ollie boardslide handrails on that setup. We had a great crew that skated The Junkyard almost daily, including Jason Filipow, Alfred Hawkins(who can be seen at the right edge of the frame), David Stowe, and Kevin Taylor. I’m still friends with all of them, and they are all successful artists and designers. The creativity and rebellion of skateboarding shaped who we’ve become profoundly. I’m teaching my daughter to skate now. I was reminded of another valuable thing skateboarding helped me with after I slammed on my tail bone skating with my daughter today… resilience! Skateboarding taught me to cope with pain and keep going.
I’m into this new print by Shepard Fairey. It is titled “Sedation Pill.” The print is apparently inspired by hip hop legends Public Enemy. Fairey explains:
The “Sedation Pill” print is inspired by the title of my favorite Public Enemy album “It Takes A Nation Of Millions To Hold Us Back”. I think the biggest problem in America is the indifference and complacency about important issues that results from much of the population being perpetually hypnotized by conspicuous consumption, social media, entertainment, and self-medication. Using sedation and escapism for relief from the rat race might make us less aware (blissfully ignorant) but also less empowered to improve our role within the rat race… a vicious cycle of cause and effect.
Digging the new Shepard Fairey mural in Paris.
Check out this recently released vid featuring Shepard Fairey talking about how Obey came about. According to the video, Fairey derived some of his early inspiration from the NYC bred skate company Shut. As it so happens, I spent an afternoon back in June hanging out with Rodney and Eli (the founders of Shut) and shot the the stills (above) for an article that was to be included in the latest HS print mag. Anyway, I thought that this video was pretty cool. It even includes some old footage of Shepard himself doing it up on a mini ramp. Check it–