Above: a fox near the runway at SL Airport No. 2.
Below: some images from a hike in Big Cottonwood Canyon.
Actually, this post is starting with July 3, above. It has been raining like crazy, lately. Summer rain in NYC is crazy. It can be torrential for a few minutes, then the sun comes out.
Here are some from the evening of the 4th of July. These were snapped from the roof of a boutique hotel on the west side of Manhattan. The Hudson was completely packed with boats loaded with people ready to watch fireworks.
And then, the mass exodus down river, after the fireworks. I really like the way these slow shutters came out.
Ever since I fell into the intstagram trap, I feel like I have had a real camera with me less and less on a day to day. Now that instagram is starting to suck more and more, I have been a lot more inclined to start carrying a real camera with me again. I have not regretted it. A lot of the stuff that I snapped is pure throw-away material. But I’m not sad about having shot it. These are a few of the snaps that I have come up with in the past couple of days, just from being out and about. I know that they aren’t anything amazing. But it just feels good to put down the phone and have a real camera in my hands on a daily basis, again.
Friday evening, I recruited my friend Casey to join me on a ride on the west side path around sunset. I brought my cam along and snapped a few shots along the way. The one above, was actually on the return trip. We stopped at the 72nd St. Pier and chilled out for a while with some refreshments. Since the camera was just sitting on the table, I decided to get a long exposure of the old cargo crane (which is in the process of being town down).
The photo below is of the space shuttle Enterprise sitting in her new perch on the deck of the USS Intrepid.
Below: Casey at the GW.
The shot below is actually from the sunset on Thursday night. But I just thought I would throw it in for good measure.
I snapped this shot with my phone on the way to the subway yesterday morning. I’m having a lot of existential thoughts/feelings lately. Perhaps because of that, this is a really powerful image to me at the moment.
Shifting gears– The weather is beautiful today. The sky is blue and I didn’t need a jacket this morning. Simple pleasures can be clutch.
Well… this is kind of awkward. I was supposed to be spending the weekend in Southern California. But, as they often do these days, my plans changed at the last minute. Friday was the official kickoff of New York City’s first ever major surf competition. Since Quiksilver is sponsoring it, Tony Hawk put on a vert demo as the inaugural event. The ramp was set up at the end of Pier 59 on the Hudson (14th St.). It was pretty amazing to be able to shoot these guys skating. Like every other kid who grew up skating in the 80’s I was always a massive fan of Tony Hawk. One of the other old school guys at the demo was Kevin Staab. His pro model was the first “real” skateboard that I ever bought. Anyway, that top image of Tony is one of my fav’s of the day. Here are a few more.
Sandro Diaz going huge with FDNY watching from the river–
Here is the sequence of Tony’s front side mellon from the top of the post–
Sunday and Monday, I’m hoping to be shooting surfing at Longbeach. Have a great weekend.
I sort of can’t believe that September is here. I’m so glad that Sept. 11 falls on a weekend this year. Because historically, getting to work on that day has been a joke. I suppose that it wouldn’t matter much this year anyway, since it is smack in the middle of fashion week. I’m getting pretty stoked about FW. My calendar is getting more and more packed by the day. During ’11 spring FW I turned over the 7D’s clicker. In those few days I snapped close to 4000 images, and loved every second of it. The in between shows is what stresses me out.
Anyway, the screen shot above is of part of my August image folder. Yes… I’m a windows nerd. I also still rock a blackberry. Now that Steve Jobs has stepped down, I may venture over to the Mac (dark) side. Only if Mac decides to open up their gigantic tight fist a bit, when it comes to creating/servicing your own builds and custom software/apps. Otherwise, I will most likely continue to be a stick in the microsoft mud.
*I’m sure that I left some ppl out. Please forgive.
Get ready for aperture basics, as a part of the photog series, on Monday (probably).
Check out this recently released vid featuring Shepard Fairey talking about how Obey came about. According to the video, Fairey derived some of his early inspiration from the NYC bred skate company Shut. As it so happens, I spent an afternoon back in June hanging out with Rodney and Eli (the founders of Shut) and shot the the stills (above) for an article that was to be included in the latest HS print mag. Anyway, I thought that this video was pretty cool. It even includes some old footage of Shepard himself doing it up on a mini ramp. Check it–
Hi. In this edition of the series we are going to chat about shutter speed in low light situations. In the last installation of the series, we discussed shutter speed in well lit situations, and shooting in shutter priority mode. As important as I feel like it is to learn what your camera(s) will do in all of the different settings, we are going to be approaching this segment mostly in full “manual” mode. Please don’t be intimidated. “M” is the most liberating setting that your camera affords you. Embrace it.
This might not be the right place to say this, but lower light makes for much more interesting photos. When we have long shadows, and directional (other than directly over head) light sources, is when we should be shooting. Some people use the term “golden hour” to describe the hour after sunrise, and hour before sunset. I tend to endorse that term. Images shot during those windows tend to be golden.
Let’s do a brief overview of shooting in manual, but focusing on shutter speed effects. As you most likely recall, the main decision that we need to make when we are choosing a shutter speed, is– “do we want to freeze time, or do we want to show motion?” And actually, as Zach aptly pointed out in the comments of the previous shutter speed post, the question might also be– “do we want to avoid camera shake/unwanted motion blur?”
Ok, switch your camera to “M.” Now we are going to have to set the aperture (f-stop) and the shutter speed. After a little practice, shooting in manual will become second nature. But while we are becoming acclimatized, lets refer to the bucket metaphor as often as we need to. If we are trying to freeze time in low light, we are probably going to want to open up the aperture as wide as our lens goes (and possibly bump up the ISO to compensate for smaller maximum apertures). If we are going for some motion blur, then we can start at a neutral f-stop like f/4, or even f/8. After we take a couple of test shots at our desired shutter speed (based on how low the lighting is), we can adjust the aperture up or down. For long shutter shots, we are probably safe dialing down the aperture as much as we want, as long as we can do a 30 second (or better) shutter speed.
For viewing pleasure, my homey Sam Adams (direct relation to the founding father/brewmaster) was kind enough to make a video of me awkwardly demonstrating how to achieve a few shutter speed oriented effects in low light. As a side note, I have often called on Sam to model product that I’m shooting for editorial stuff. In fact, that is Sam longboarding in the photo at the top of this post. Sorry ladies, he is taken. Please feel free to laugh at how poorly I articulate thoughts on camera (and in real life?). Also, please forgive all of the “uh”s and “um”s. Did I mention that I talk a lot? Anyway this is the first ever Shot by Jake video tutorial. Thanks again to Sam for shooting and cutting this. He did a great job, especially given the fact that we just threw this together in one long take.
Some quick terminology for the tutorial– “prime lens”= a lens that has a fixed focal length (the opposite of a “zoom lens”).
Homework: Shoot something in low light, using shutter speed to show motion.
Extra credit: Shoot a long shutter-speed image at night (of something stationary or moving).
I’m currently working on a little lifestyle story featuring one of the brands that HS covers. I shot the first part of it early this morning (before the monsoon rolled in). These are a few of the images. Hopefully (depending on the weather) I’ll be shooting the second part in DC this weekend.
It’s been a pretty busy week already. I take comfort in the fact that tomorrow is Friday.
Despite what this may look like, no, I was not hanging out on the set of some forthcoming Daft Punk video. I spent the day Tuesday hanging out with a bunch of scientists. I was basically the only person in the room without a PhD. I’m not going to lie, it was a bit intimidating. But, I couldn’t turn down the opportunity to kick it with my good friend Tadd (on the left in the above photo), while he was in town for the day. Throw in some time playing with high speed cameras and lasers? I was basically in nerd heaven. I heard the word “laser” more times in a non-joking context yesterday than I had probably heard before that, my entire life.
I thought I was the only one who drew nerdy diagrams in my notes. Apparently Tadd also does. I had to get a shot of his notebook above.
Here are a couple more looks at the lab.
I’m pretty sure that I chose the wrong profession.
I don’t mean to write two “I heart NY” posts in a row. But, I really enjoy the non-stop visual stimulation that occurs just walking around the City. Today I was on the way to shoot this, and I happened upon the scene pictured above (and below). I don’t know what I like more about what is going on here– several dozen trampled roses on the sidewalk, or a dog that looks like a baby deer. I think it is going to be a good weekend.
I grew up on Nirvana. Kurt C. was a person that I admired and adored simultaneously. I had the pleasure of seeing Nirvana on more than one occasion before Kurt met his demise (which, btw seriously shook my world). Anyway, I stumbled upon this set of photos today, shot by Hedi Slimane. They are of Francis Bean, who is now a grown woman. When I first perused the set, I literally got cold chills. This woman, who I for some reason still think of as a baby swaddled up in Kurt’s arms during an MTV interview, bears a striking resemblance to her father. For a split second, I seriously felt like I was looking at Kurt reincarnated as a woman. Kudos to Slimane and Francis. I was very moved by this set. Have a look for yourself.
[Photography: Hedi Slimane]
Element held a preview for their new Emerald collection at Saturday’s Surf (above). I did a little editorial shoot with my homey Jace, on an UWS roof top, for Sons of Intrigue (below).
After shooting, we hung out and enjoyed the weather for a while. I snapped this long exposure of the UWS at dusk.
I covered an Olek installation that was held in a recording studio. You may recall that Olek is the eastern European knitting street artist who once completely covered the Wall St. Bull. Part of the exhibit included various people wearing full body crocheted camo suits (below).